@conference {2896,
	title = {Le traitement du fonds C{\'e}sar Franck au D{\'e}partement de la musique de la Biblioth{\`e}que nationale de France, ou deux catalogues pour un m{\^e}me fonds},
	booktitle = {Antwerp 2014 IAML conference},
	year = {2014},
	month = {2014/07/15},
	publisher = {International Association of Music Libraries, Archives and Documentation Centres (IAML)},
	organization = {International Association of Music Libraries, Archives and Documentation Centres (IAML)},
	address = {Anvers},
	abstract = {<p>In 1946 and 1947, C{\'e}sar Franck{\textquoteright}s granddaughter Th{\'e}r{\`e}se Chopy donated to the Music department of the Biblioth{\`e}que nationale what remained of her grandfather{\textquoteright}s archive, consisting of autograph music manuscripts, the printed scores received as prize books during his studies at the conservatories of Li{\`e}ge and Paris, some archival material, as well as some documentation collected by his\&nbsp; relatives. his<br />
fonds covers the whole life of the musician, and includes among others the manuscripts of a number of works unknown elsewhere, some of which remain unpublished. The lecture will of course describe the main features of the fonds, but above all use it as a case study to explain the new rules applied since 2013 by the Music department of the Biblioth{\`e}que nationale de France for the description of its archival fonds, involving both the {\textquotedblleft}BnF Archives et manuscrits{\textquotedblright} (BAM) catalogue with search instruments in EAD and the general catalogue (CatG{\'e}n) with bibliographic records in MARC format.</p>
},
	author = {Fran{\c c}ois-Pierre Goy}
}
