@article {3512,
	title = {Les premi{\`e}res expositions permanentes au d{\'e}partement des estampes de la Biblioth{\`e}que Royale puis Imp{\'e}riale},
	journal = {Nouvelles de l{\textquoteright}estampe},
	number = {262},
	year = {2019},
	abstract = {<p>Entre 1819 et 1855 parurent quatre catalogues destin{\'e}s {\`a} accompagner l{\textquoteright}exposition permanente organis{\'e}e\&nbsp;par Jean Duchesne au Cabinet des estampes de la Biblioth{\`e}que nationale, dont il ne devint le conservateur en titre qu{\textquoteright}en 1839.\&nbsp;On analyse ici leur contenu, enrichi au fil des ans en fonction\&nbsp;des acquisitions et des recherches de leur auteur, dont on {\'e}voque\&nbsp;la carri{\`e}re et les multiples activit{\'e}s.\&nbsp;On {\'e}tudie\&nbsp;leur r{\'e}ception tant en France qu{\textquoteright}{\`a} l{\textquoteright}{\'e}tranger aupr{\`e}s d{\textquoteright}un public extr{\^e}mement vari{\'e}, jusqu{\textquoteright}{\`a}\&nbsp;la fermeture d{\'e}finitive de l{\textquoteright}exposition en raison des dangers qu{\textquoteright}elle faisait courir aux collections.</p>

<p>Between 1819 and 1855 the Biblioth{\`e}que nationale published four catalogues for its permanent exhibition of the Cabinet des estampes collections.\&nbsp;In this article we review the career and various activities of Jean Duchesne, who organised the exhibition even though he only became the official curator of the Cabinet in 1839, and analyse the content of the catalogues, updated over the years with acquisitions and Duchesne{\textquoteright}s own research. We study these catalogues{\textquoteright} reception both in France and abroad by a wide and diverse audience, until the exhibition closed definitely because of the risk of damage to the collections.</p>
},
	doi = {https://doi.org/10.4000/estampe.1360},
	url = {https://journals.openedition.org/estampe/1360},
	author = {V{\'e}ronique Meyer}
}
