@inproceedings{the_retrospective_conversion_0ed9,
  title = {The retrospective conversion of the Conservatoire collection catalogue at the Music department of the Biblioth\`eque nationale de France},
  author = {Goy, Fran\c cois-Pierre},
  year = {2018},
  date = {27/07-2018},
  series = {2018 \\{IAML\\} Congress : Recent developments in music cataloguing},
  abstract = {La conversion r\'etrospective du fichier du Conservatoire au d\'epartement de la musique de la Biblioth\`eque nationale de France.},
  url = {https://www.iaml.info/sites/default/files/pdf/iaml_2018_leipzig_la_conversion_retrospective_goy_presentation.pdf},
}


@inproceedings{jean_baptiste_weckerlin_c813,
  title = {Jean-Baptiste Weckerlin et les acquisitions de collections anciennes : exemples de Gehring et de Martin},
  author = {Goy, Fran\c cois-Pierre},
  year = {2015},
  date = {04/12/2015},
  address = {Paris, Institut de recherche en musicologie},
  publisher = {Institut de recherche en musicologie ; Biblioth\`eque nationale de France},
  series = {La constitution des fonds musicaux de la Biblioth\`eque nationale de France},
}


@inproceedings{le_traitement_du_2de9,
  title = {Le traitement du fonds C\'esar Franck au D\'epartement de la musique de la Biblioth\`eque nationale de France, ou deux catalogues pour un m\^eme fonds},
  author = {Goy, Fran\c cois-Pierre},
  year = {2014},
  date = {2014/07/15},
  address = {Anvers},
  publisher = {International Association of Music Libraries, Archives and Documentation Centres (\\{IAML\\})},
  series = {Antwerp 2014 \\{IAML\\} conference},
  abstract = {In 1946 and 1947, C\'esar Franck’s granddaughter Th\'er\`ese Chopy donated to the Music department of the Biblioth\`eque nationale what remained of her grandfather’s archive, consisting of autograph music manuscripts, the printed scores received as prize books during his studies at the conservatories of Li\`ege and Paris, some archival material, as well as some documentation collected by his\  relatives. his
fonds covers the whole life of the musician, and includes among others the manuscripts of a number of works unknown elsewhere, some of which remain unpublished. The lecture will of course describe the main features of the fonds, but above all use it as a case study to explain the new rules applied since 2013 by the Music department of the Biblioth\`eque nationale de France for the description of its archival fonds, involving both the “BnF Archives et manuscrits” (\\{BAM\\}) catalogue with search instruments in \\{EAD\\} and the general catalogue (CatG\'en) with bibliographic records in \\{MARC\\} format.},
}